The two youngest sons withstand a number of gunshots earlier than dying, considered one of them impaled on another booby entice. Afterwards, the brokers discover that Mrs. Peacock and her eldest son have escaped of their automotive, planning to start out a new household elsewhere. “Home” marks the return of writers Morgan and Wong, who left the show following its second season. The graphic content of the script attracted controversy from early within the manufacturing course of. Commentators have identified themes inside the episode that satirize the American Dream, handle globalization, and discover the nature of motherhood.
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The episode was also made as an homage to Seventies horror films such as Tobe Hooper’s The Texas Chain Saw Massacre and Wes Craven’s The Hills Have Eyes . Laboratory exams point out the baby’s parents have been members of the Peacock family. Believing the three Peacock brothers must be holding the dead child’s mom hostage, the brokers and Deputy Barney Paster go to arrest them. When Paster breaks down the front door of the house, he is decapitated by a booby lure, before the brothers rip the body aside. Mulder and Scully then launch the Peacocks’ pigs to lure them out of the house earlier than looking out it. She is revealed to be Mrs. Peacock, the mother of the boys, who has been breeding with them for years.
It has been cited as a seminal episode of The X-Files by critics and crew members. “Home” is a “Monster-of-the-Week” story, unconnected to the overarching mythology of The X-Files.
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Watched by 18.eighty five million viewers, the preliminary broadcast had a Nielsen ranking of 11.9. “Home” was the one episode of The X-Files to hold a TV-MA ranking upon broadcast and the first to receive a viewer discretion warning for graphic content. Critics were generally complimentary, and praised the disturbing nature of the plot; a number of made comparisons to the work of director Tobe Hooper.